Archive for category concepts
Careless whispers and online rumours
Posted by Jon Hickman in Social Media & Marketing, concepts on August 27th, 2009
A few months ago I spoke at an event in London on the topic of “Social Media in a Corporate Context”. Off the back of this talk, a journalist emailed me this week on the subject of “virally spreading online rumours”. He cited the following harmful rumours about brands that have spread online:
- An email that accused Starbucks of not supporting the War on Terror
- Talk of Red Bull containing a stimulant devised by the US army for soldiers in Vietnam
- News of fictional viruses affecting Nokia phones, etc.
There are many more examples we can find of erroneous information that spreads around the Internet. The journalist wanted to know how social media might be playing a part in spreading these rumours, and how companies should respond. The following is my response:
One of the most interesting ideas in this area is the employment of “conversation agencies” which aim to locate and respond to negative conversations on behalf of brands and corporations. I touched on these during my talk at Communicate’s Social Media in a Corporate Context conference. I’m sure the guys at We Are Social would be delighted to discuss the way in which they manage reputation for brands such as Skype (their blog has case studies written up already – http://wearesocial.net/).
Any organisation using a conversation agency or an in house team to monitor the Internet for conversations about their brands would be well advised to take a measured and planned approach. This should ensure that these are dealt with efficiently and proportionally. The US Air Force drew up a flow chart which they use when deciding how they respond to online discussions about their activities. This was picked up on by people such as Jeremiah Owyang and popularised. It has then been updated to make it useful for specific sectors, e.g. Michael Grimes of Citizensheep has adapted this to third sector organisations (available as a Creative Commons licensed download).
The phenomenon of urban myths related to brands is not new. Sharing of information about companies, true or false, through web pages and viral email distribution predates what we tend to think of as “social media” and, indeed, predates the Internet. When we think about the web, commentators often reflect that it has sped up the exchange of ideas by making communication more immediate and removing geographic boundaries. When we think about social media we see more opportunities for forwarding on messages and ideas, and more public fora for discussion of those ideas. If social media changes the way we think about brand rumours, it is that if these ideas are shared and debated in the open (e.g. on a blog) then the brands have a chance to answer back; they wouldn’t have had this opportunity when the ideas were shared over email or face to face.
At the Social Media in a Corporate Context conference I discussed the responsibility that corporates have when they join online conversations. Corporates must remember that the public have a right to discuss their experiences of a brand. Some of these conversations will not be comfortable reading for reputation managers. Social media communities function through trades in social capital; most corporate organisations understand the world through economic capital and do not want to invest time in building social capital. This then leads to them short cutting their way into the conversation through using their financial resources to buy into the conversation: economic capital (money) is exchanged for social capital (influence). It is likely that the fiscal reserves of a given brand exceed the social reserves of an individual, and therefore companies must behave responsibly to ensure they are not “buying the conversation”.
Do you remember… sub-viral marketing?
Posted by Jon Hickman in Social Media & Marketing, concepts on August 26th, 2009
Viral marketing was one of the key Internet industry buzzwords when I was an undergraduate (along with “sticky”, “portal” and “community”). It’s a pretty simple concept. You need a hook (a joke, a game, a free product or service) and a distribution mechanism (email, or a web form that emails a link to a web page). You seed this to a handful of Internet users, and hope they will forward it on to their friends (replicating and multiplying like a virus might). Only when it spreads has it “gone viral”. Hotmail’s email signature was an early poster boy for viral marketing. Every email sent through Hotmail went out with a sales pitch on the bottom of it “To get your FREE email account go to www.hotmail.com”: the service user benefited from a free email account, in return every email they sent made a sales pitch for Hotmail to their friends. As more people signed up for Hotmail, more people learned about Hotmail and more signed up for the service.
Sub-viral marketing appeared a little later. It’s the same general principle of viral marketing – a hook & a forwarding mechanism – but with a twist.
One of the staples of email forwarding culture (and now link sharing with friends through social media platforms) is the funny picture or video, and a key sub-genre is pop culture parody. Parody relies on brand owners to create messages, and for these to become part of the pop culture lexicon. The audience must understand the codes and conventions of a campaign to understand a parody of the same: the humour derives from subverting the original codes, denying us the expected outcome, or inverting the message.
Sub-viral campaigns shortcut this system: brands create fake pop-culture references to themselves, bypassing their consumers altogether. Ian Harris, writing in The Guardian in 2002, described sub-viral:
“Subviral marketing is a topsy-turvy trend that’s said to be being pioneered by brands including Budweiser, Ford, Levi’s and Mastercard. While traditional viral attachments feature short, slapstick video clips stamped with the brand’s logo and web address, subviral campaigns are carefully shot to seem like they were produced by an internet prankster.”
The sub-viral story seemed to disappear quite quickly, and I seldom hear people talk about them now. The sub-viral illusion relies on producer discretion: distancing one’s self from one’s “parodies”. Given the possibilities for sharing funny video clips, photos and links through various social media channels, it would be difficult to believe that this sharp practice doesn’t continue in 2009.
The inherent post-modernism of sub-viral imagery and video is worthy of the attention of media scholars: is it possible that by short-cutting the cultural practices of parody, brand owners can win attention for the original, non parodic, work? Do we understand the sub-viral’s original in terms of the parody, and does it therefore earn more attention for a campaign than it might normally have won? Does the audience stop to decode the original only because the parody demands this of them?
A further issue of debate here regards the encroachment of corporates into a space which is traditionally the reserve of alternative (non corporate) voices. Does the extension of corporate influence into an area of ideological opposition weaken the hand of anti-corporate activists?
Cultural Capital & Social Media Scenes
Posted by Jon Hickman in concepts on May 19th, 2009
Birmingham based social media consultant Pete Ashton has shared some slides from a recent talk he gave on social media concepts. Pete makes some interesting points about social capital and how this contributes to a vibrant scene that can self organise events quickly and effectively. In the comments I ask:
- Do those who perceive themselves to have less influence feel disenfranchised from the process of convening such events?
- If communities evolve through exchanges of social capital, then do you limit opportunities to those who have the most capital?
- Is this a problem? Who is it a problem for?
I have answers, but would welcome yours – here or for preference at Pete’s blog.
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